My personal take on the theme of love between portia and bassanio in act 3 scene 2 of the merchant o
Bassanio, again, claims he's too stricken by all of these new developments to say anything meaningful. Jessica testifies to her father's determination to "have Antonio's flesh" rather than accept "twenty times the value of the sum" that Antonio owes.
Why does bassanio choose the lead casket
Bassanio must leave at once. Bassanio does some more philosophizing, adding beauty to the list of transient ills. Ultimately, beauty is usually veiled, and outer beauty can hide inward ugliness. Come, away, For you shall hence upon your wedding day. But all you get in me is an inexperienced girl, unschooled, naive. He confesses that he loves Portia dearly, though actually it's the torture type of love. Myself and all that is mine is now yours. Jessica testifies to her father's determination to "have Antonio's flesh" rather than accept "twenty times the value of the sum" that Antonio owes.
Women can wear makeup, and those who wear most are the least prized. Bassanio must leave at once. He wants justice for Antonio's breaking the agreement, and justice means he gets to carve Antonio up like a roasted turkey.
Merchant of venice act 3 scene 1
The news of Antonio's danger puts a fearful obstacle in the way of the fulfillment of the play's love story, for now Bassanio is torn by an agonizing conflict between his love and loyalty toward his new wife and his love and loyalty to his old friend Antonio. Portia asks if all of this means Bassanio's friend is in trouble, and her husband-to-be confirms that Antonio, his dearest friend in the world, as noble as the ancient Romans, is screwed for 3, ducats. If your love do not persuade you to come, let not my letter. Still, though, she'd like to get something done first—Bassanio should go to church with her so they can get married. Though she admits she lacks experience, she's excited that she's neither too old nor too stupid to learn. Therefore then, thou gaudy gold, Hard food for Midas, I will none of thee. Uncover new sources by reviewing other students' references and bibliographies Inspire new perspectives and arguments or counterarguments to address in your own essay Read our Academic Honor Code for more information on how to use and how not to use our library. The letter from Antonio declares that all of his ventures, to every port, have failed. Bassanio now has to admit the whole truth: he says he told Portia the truth when he said he was a gentleman by blood only, not by wealth. And now this house, these servants, and myself are all yours, my lord's. This causes us to think of the play's Midas-figure — Shylock, for whom wealth is, in itself, something of final, ultimate value. I give them with this ring, Handing him a ring. In the court of law, a corrupt and false plea can hide its own evil with a pleasant voice. He dismisses the gold casket as the gaudy food of Midas that proved inedible, and the silver as the paler of the two metals that are both made base as coins of money. Ding, dong, bell.
It looks like even if Antonio had the money to pay back the debt, Shylock would insist on the original terms of the agreement for a pound of Antonio's flesh, money be damned.
Then Nerissa speaks up and congratulates them. The news provokes a fit of guilt in Bassanio, which in turn prompts Portia to offer to pay twenty times the sum. They're not intended to be submitted as your own work, so we don't waste time removing every error.
based on 24 review